by Mandy Robertson
As the client settles the crosshairs onto the lion she squeeezes the trigger and there is a deep growl as the lion somersaults into the air and now wounded takes off into the thick mopane scrub.
It has been a long day of lion hunting and the professional hunter now has a wounded lion on his hands and the light is fading fast. The tension on the clients, ph and trackers faces is captured on the screen as they start tracking the minute blood spoor left by the lion
Eventually the ph makes a decision and decides to call it a day backing off before one of his party is injured by a large angry male lion.
Back in camp the ph calls in back up to assist him in the follow up the next day. The film is replayed to assess the shot and what they are dealing with. Soon the anxious group is off to bed ready for an early start the following morning.
The cameraman is first up capturing the anxious looks of the individuals as they enter the living room for a quick cup of coffee. The tension is tangible as the ph instructs his clients and back up on what he expects of them in the follow up. The client bravely insists that she will be accompanying them.
The expert trackers quickly pick up the tracks from the previous day and the follow up begins. Soon the sun is up, the morning chill evaporates and it becomes hot and tense as the group slowly follows the trackers who are working as a team anticipating the lions every move. The trackers continue and cross their own spoor realizing that the lion is moving in a circle and that they are becoming the hunted!
Suddenly someone spots a flash as the lion breaks cover and moves ahead of the trackers. There is a deep warning growl and the ph warns that the animal is about to charge. The team takes up their positions and suddenly with a growl, which seems to get louder and louder the animal breaks cover picks out a member of the team and charges straight for him.
It covers the 75 meters in under3 seconds and is so quick that the first three shots are misses. As the lion is about to spring it is hit behind the shoulder from a member of the team and almost simultaneously right between the eyes by the ph that it has selected in the charge knocking him to the ground with its own momentum. He has shot it from the hip with an excellent shot saving himself from a terrible mauling and possible death.
The whole story is expertly captured on film.
Reason to hire a professional
It would have been very difficult for this client to have paid justice to the story on her return home.
Fortunately, the client had hired a professional cameraman to capture the entire safari and so the memorable footage is forever on record.
An African Big Five hunt is a truly amazing experience and having the safari professionally filmed is an extremely worthwhile supplement to the actual hunt. Considering the price of a Big 5 hunt, it’s an affordable service and well worth the price. I’ve yet to meet a client who hasn’t been delighted with this decision.
Having a friend or partner record the safari is more often than not, a major disappointment as there’s so much more to a professional cameraman’s job than having a steady hand and access to a quality video camera. There are many sad amateur cameraman tales. A few stand out - footage of a near-fatal leopard charge being rewound and shown in camp. The proud cameraman rewound one too many times and the evening sunset replaced this unique footage. Needless to say, no-one volunteered to re-enact the sequence of events.
An elephant charge and ensuing shot were forfeited as the terrified videographer chose to record his running feet. The audio was particularly interesting!
And a Buffalo charge came to an abrupt halt when the camera battery’s life was shorter than the animal’s.
These are all easy mistakes to make, but an experienced, professional cameraman is unlikely to make them. He has no second chance to capture that once-in a-lifetime footage, and this is when education and experience do count.
While a professional hunter’s courage should be greatly admired, spare a thought for the unarmed cameraman, placing his safety in the hands of the often unfamiliar PH and client.
Not only does he need camera and bush skills, but also a large dose of courage when the chips are down.
It is important, therefore, to spend a little time researching your potential filming company.
• Most importantly, ask for references from previous clients and safari operators, ensuring you will receive a quality final product. Check on the company’s professionalism and reliability.
• Ask for a product sample.
• Are the cameramen well trained? Unless very experienced in the bush, it is a distinct advantage for the videographer to be a hunter himself. When faced with a herd of buffalo he should be able to select the likely target without being told.
• A sound knowledge of bush lore and animal behaviour is essential. • When can you expect the end-product to be completed? Bear in mind that the editing procedure is time-consuming. Don’t compromise quality for time! Communicate with the editor and ask for a realistic time-frame, to avoid disappointment.
What to expect of the end product
A quality safari video should include the following;
• The excitement of the hunts, camp life, scenery, social scenes, flora and fauna, the local population and so much more, ensuring that the visitor leaves Africa with more than just his trophies but also an increased knowledge of the magnificent continent left behind.
• The original soundtrack should be retained while music is added to enhance atmosphere and the option of a professional narration is advisable as a useful method of imparting interesting information .
DVD is now the preferred format and the quality is outstanding.The DVD should be creatively labelled and packaged in a DVD cover.
What to expect of your cameraman
To the relief of most sane hunters, an unprovoked lion charge does not occur often, but it seems that many movie viewers wish it would! It is the cameraman's job to stand his ground and ensure that the excitement is captured on tape. A good safari cameraman should remain inconspicuous but constantly vigilant and it is vital that he has an easy rapport with both the client and the professional hunter.
It is in the filming company’s best interests to portray all parties in a positive light, promoting ethical hunting methods and the conservation of our magnificent continent.
So, when planning your next African adventure, consider this worthwhile service and ensure that your experiences can be passed down to future generations.
African Video Productions has vast experience, filming in the African wilds and their enthusiasm, skill and dedicationensuresnba first-class end product.
They are regular exhibitors at the SCI convention and supporters of the Professional Hunters Association of South Africa.
For more information contactMandy RobertsonAfrican Video Productions
E-mail: africanvideo@mweb.co.zaTel: (+27) 33-2122316 Cell: (+27) 82-8658540
Published in African Hunter Magazine, Vol 13 No.4 of 2007







